臺北市立國樂團

定價：NT$500

發行日期：2023年12月

序言一

每位作曲家都有一首最具代表性的作品，然而，指揮家、演奏家對作曲家的經典代表作，會是同一首嗎？經典作品不僅保留作曲家歷年來的智慧精華，也紀錄了時代的流變，為之後的創作者留下師從的典範。

《鑠》專輯共收錄了當代作曲家關迺忠(1939~)、郭文景(1956~)、余忠元(1984~)的代表作，這也是青年指揮家張宇安心目中最尊崇的作曲家及其經典作品，由他親自挑選作品，重新解讀、詮釋，藉由專輯出版，為樂壇留下另一個新演繹版本。

關迺忠以他對西藏的想像，於1984年創作完成的四樂章民族管弦樂組曲《拉薩行》，描繪西藏民情風俗，配器創新而前衛，洋溢濃烈的神秘色彩。郭文景的《滇西土風三首》寫作時間跨度15年，始於1993年、完成於2008年，描寫雲南少數民族的原始生活風貌，表達人與自然和諧並融的豪放恢弘態度。《緣》是余忠元2017年接受臺北市立國樂團委託創作的作品，以「思念」為主軸，運用簫、中胡等具有特殊音色的樂器獨奏，串連各種氛圍色調，抒寫人與人間的情感羈絆和聯繫。

三首經典作品代表著三個世代作曲家的思維，從1984年至2017年長達33年的創作時間，也代表著這期間作品時代風格的變化。「鑠」在說文解字中有「美好光明」之意，我們希望藉由《鑠》音樂專輯的問世，與您共享經典的美好與其不朽風華。

Preface-

Every composer has a work that is considered to be mostrepresentative. But would a conductor and performer chooset h e same piece to be a "classic" for that composer? Aclassic is a distillation of a composer's many vears of accumulated wisdom: it is a record of the times: and no less. it is a model for subsequent creators.

Just so, this album, Shine O n collects representative works by contemporary composers KUAN Nai-Chung (1939- ), GUO Wenjing (1956 - ),and YU Chung-Yuan (1984 - ). These happen to be the composers and their classics that young conductor CHANG Yu-An most respects. CHANG personally selected these works to interpret or reinterpret, and published them here in this album. giving the music world a new set of interpretations.

KUAN Nai-Chung's four-movement ethnic orchestral suite Journey to Lhasa (1984) is based on his journey of the imagination to Tibet and depicts the Tibetan people's customs. Its innovative and avant-garde orchestration gives the piece a strong sense of mystery. GUO Wenjing's Three Melodies of West Yunnan was written over a span of 15 ears, its first two movements in 1993 and its third in 2008. It describes various aspects of the life and work of ethnic minorities in Yunnan, all while expressing the bold and forthright attitude that comes from man living in harmony with nature. Karma for Chinese Orchestra composed by YU Chung-Yuan in 2017 on the commission of the TCO, takes as its main motif the feeling of longing. It uses the solos from two unique Chinese instruments- the Xiao and the Zhonghu - to layer the piece with several emotional tones, describing in music the emotional bonds and connections between people.

These three classic works represent the unique modes of thought ofthree generations of composers. And the 33 years spanning their creation (1984 to 2017) also tell a story of the changes in style one can see in the works during this period. The Chinese title of this alhum Shuo has connotations of "heautiful and bright " W e hone to share such beautiful bright music with you in this collection of immortal classics. 

Total time 61:55

指揮:張宇安

Conductor: CHANG Yu-An

演奏:臺北市立國樂團

Performer : Taipei Chinese Orchestra

1.拉薩行

Journey to Lhasa
曲| 關迺忠 KUAN Nai-Chung, Composer

第一樂章：布達拉宮                        04:59

1st Movement: Potala Palace

第二樂章：雅魯藏布江                    07:40

2nd Movement: Yarlung Zangbo River 

第三樂章：天葬                               04:57

3rd Movement. Heavenly Burial

第四樂章：打鬼                               05:37 

4th Movement: Beating Ghosts

2.滇西土風三首

Three Melodies of  West Yunnan

曲| 郭文景 GUO Wenjing, Composer

第一樂章：阿佤山                            08:10

1st Movement: A Va Mountain

第二樂章：基諾舞                            08:00

2nd Movement: Kino Dance

第三樂章:祭祀一火把一烈酒            07:01

3rd Movement: Ritual, Torch, and Spirits

3.緣                                                 15:25

Karma, for Chinese Orchestra             

曲|  余忠元 YU Chung-Yuan, Composer